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- Nov 23, 2022
THREE DAYS LEFT!!!
**UPDATE** Wanted to have a special incentive for cyber Monday and giving Tuesday, so might as well extend it from now until the very end of the month! For every $10 donation made through our Fractured Atlas donation page, you'll now have double the number of entries to win the giveaway. "Can I buy a print of Amsel's work?" It's a question I'm asked all the time. We do NOT sell prints, but every now and then we offer rewards incentives for those who donate to the project. As
- Nov 4, 2022
ART OF THE MOVIES' Blog & Project Milestones...
Since the release of the teaser trailer, there's been more visibility on the project. I created a PRESS page listing some of the interviews I've done about the documentary over the years, including Adam Kennedy's excellent ART OF THE MOVIES website. Adam made a kind mention of the documentary's teaser on his site. His most recent newsletter, "A week of two trailers - Avatar and Amsel!" pairs my little film alongside James Cameron's behemoth sci-fi spectacle. I'm flattered, th


- Nov 2, 2022
Jeffrey Wells / "Cutting the Habit" revisited
To follow up to my Sept. 12th post ("Cutting the habit -- and the poster"), which shared film critic/blogger Jeffrey Wells' comments regarding HBO Max's tinkering with Amsel's McCABE & MRS. MILLER poster art: I had posted on Well's Facebook page about my frustrations with Facebook's censorship policy. They originally rejected letting me create an ad featuring the documentary's teaser trailer, as three of Amsel's posters -- THE STING, CHINATOWN, and McCABE -- all featured char


- Nov 1, 2022
Ongoing Support / November Promo!
First, I want to thank everyone for their enthusiasm and encouragement regarding the teaser trailer! A more extensive trailer will be coming in the future, as the film takes on a more defined form. There’s still a lot left to do. Which begs the question: How much is left? I still want to film more interviews in the coming months, and will be making another round of mailings/inquiries/pleas, especially to those celebrities whom Amsel did portraits of, as well as filmmakers and